Follow us. . In other words, the acoustic impedance of the diaphragm increases as the frequency gets lower. By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. Patent Notice: Patent Des. The younger sibling of the KSM9 is the Shure KSM8. At a similar price, therere many comparisons to be made between the 105 and the KSM9. It also helps to minimise high-frequency handling noise. As a premium mic, the KSM9 is certainly pricey. It may also be purchased as part of a Shure wireless system, or as an upgrade to an existing wireless handheld transmitter. You wont have the super resilience of a dynamic mic. Shure KSM9 is a professional on-stage condenser mic. Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. 3:26 What We Heard Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. 530 706 Des. I think the champagne looks very chic! Always works in a rock setting. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. The higher range gets some gentle boost, resulting in more transparency andhelping to cut through more easily. By 1967 Electro-Voice had improved the concept and the RE15 model was the first with Continuously Variable-D technology. Thank you for selecting the KSM series from Shure. Your IP: #Sweetwater #Shure Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. The Shure engineers originally patented this technology over 50 years ago, and Shure is the only microphone manufacturer to successfully implement it. The lows are being naturally rolled off to avoid that unwanted mud and boominess. Confused about setting up your guitar? The last channel of my input list is the centerpiece of the show! These marks may be registered in other jurisdictions. The active and passive diaphragms differ in that the active (top) one has a coil attached. The well-balanced and tapered body is comfortable to hold without risk of obscuring the rear ports. SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. None. Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. email Sign up for our Newsletter; Shure Incorporated, 5800 West Touhy Avenue Niles, IL 60714 . shure ksm8/n; . This is great for recording ambiences, or in a controlled environment like a recording studio. In the meantime, I want to focus first on the development of Shures remarkable new microphone. The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. Exceptional consistency across all frequencies, providing more gain before Dual gold layered, low-mass Mylar diaphragm design, Switchable polar patterns (supercardioid and cardioid). So if you need that extra sparkle and clarity to give your live sound the edge, then this could be the handheld condenser for you. In addition to diminishing unwanted movement, the moving piston and internal cavities have been precisely engineered to stabilize the diaphragm amidst mechanical vibration. As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. It can also be a bit more forgiving when it comes to microphone technique. mic. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. Sandusky, MI, United States (26) SHURE KSM9/CG/ This makes them very different types of mic, each with their own internal circuitry. On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. The benefits of this complicated and expensive approach include a very smooth frequency response with an unusually wide (for the day) bandwidth, a very uniform cardioid polar pattern with negligible off-axis colouration, and the complete elimination of proximity effect. To learn more about our cookie policy, please visit our Privacy Policy. It features a cast aluminium handle, solid construction, and comes in two colours: charcoal or champagne. the Telefunken M80). Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. Cardioid is more natural but may need a louder vocal to combat feedback. What's the problem with your 58? Varying the labyrinth delay time slightly leads to other directional patterns, such as hyper- and super-cardioid, where the null angles are offset either side of the rear axis at 110 degrees and 126 degrees, respectively. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. A dual-diaphragm design helps to reduce the proximity effect, and evens out the frequency response throughout the vocal range. He is always eager to try new creative endeavors and uses them as inspiration in her writing. After the KSM9 development, I began talking to Shure about an all-new dynamic vocal mic. A premium-range handheld condenser vocal mic with a clear and authentic sound. Mic stands reduce any handling noise in the studio. The exterior of the grille can be cleaned by gently using warm soap and water with a soft toothbrush. This helps reduce handling and stand noise, as well as offering some protection to the internal circuit. BACK. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. A25E. $621.00. Elegantly crafted products that are simple, useful, and desirable. The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. Now available as a wired microphone, it's available both in champagne silver and charcoal black finishes. Available colors: User rating: 71. Theyre both handheld condenser mics optimised for live performance. Also, what's your use case, as this will probably help us guide you towards to best choice! Find out more about how we test. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. This might also be a good setting for backing vocals, to get more separation between neighbouring singers. A crossover at 500Hz combines the two capsule outputs to produce the final signal, much like a two-way speaker working in reverse! This model is renowned and remains a favorite choice of many musicians. Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. Trademark Notices: The circular S logo, the stylized Shure logo, and the word, Shure are registered trademarks of Shure Incorporated in the United States. AK8C. The lowest frequencies enter via the farthest entrance port, with mid and high frequencies entering through ports closer to the capsule. With state-of-the-art manufacturing from superior components, each KSM8 Dualdyne is meticulously crafted and tested to uphold the quality standards of world-class Shure construction even in the most demanding live environments. This compliance is completely absent in a single-diaphragm cardioid capsule, of course. Thus, it is like you buy one mic but end up with two, and you can switch themwhenever you want, which is quite very awesome. This dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. Given all the limitations of live performance, this mic really is impressively close to the natural sound of the human voice. The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. There are no user-serviceable parts inside. By applying our craft in market contexts, we deliver solutions that empower end users, energize the channel, and strengthen businesses. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. If you want the best quality XLR cables, try these. It is also nice to admit the technological advancements implemented in this unit. Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. The output of these capsules is manipulated electronically to support two pickup patterns . The head of the mic is 49 mm (1.9") and it weighs in at about 300g (10.6oz). However, the KSM9 has this covered. Then connect the output of the phantom supply soundcard. The science behind the Braunmhl-Weber capsule is a little complex, but if you want the full story with all the maths, Shure have produced a detailed white paper on the science and practical effects of the dual-diaphragm capsule, which can be found here: http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf. The Shure KSM9 is a condenser microphone, so it does require phantom power. Are there any favorites on the Sennheiser end of things? Beta 87A on UHF-R Wireless. Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian. 1.93 in. Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". The lower sensitivity allows Shure KSM9 to focus on the user's voice without picking up any sound from other directions. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, Shop Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, If youre wondering what video gear we use, check it out https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). Where you hold the microphone in relation to your mouth can make a big difference in sound. This labyrinth is designed to delay sound from the rear, and is critical in achieving a directional polar pattern. So far, so conventional except that the active diaphragm is also stabilised by a series of (patent-pending) sound-diffracting plates positioned directly above it. XLR are the standard connectors on all professional studio equipment. 5/8" to 3/8" (Euro) Threaded Adapter. Win a TB-03 and TR-06 from Roland. All in all, the KSM9 offers a very happy medium. Being music makers ourselves, we love geeking out on all things gear. I was hoping to get a few opinions on these microphones. The capsules that see most demand are beta58s and KSM9s. Well, at 429, this mic doesnt come cheap. All in all the KSM9 has a durable, carefully considered design. Aside from its precious, gold layered, low mass diaphragm, KSM9 uses first class electric components for its preamplifier circuit. When you purchase through links on our site, we may earn an affiliate commission. Where the magic happens! More videos like Shure KSM8 vs. KSM9 | Whats the Difference? Does anyone have any experience with the KSM9? I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. The KSM8 has many unique design quirks to reduce plosives and the proximity effect, and enable a smooth natural sound. An internal shock mount offers the kind of durability youd expect from a live mic. New Release: EDM Expanse (Construction Kits). Good Luck! However, even so it is still significantly less expensive than many high-end capacitor stage mics, while it boasts some very useful and unique sonic and pragmatic advantages. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. The downside is that the KSM9 seems to pick up everything on stage.. FYI there is a new version of the KSM9 that now offers a switchable polar pattern. This means theyre prone to overload and distortion from louder singers. For information on microphone use and applications or for a more comprehensive look at the technology behind the microphone, visit www.shure.com for educational publications on these topics and more: The KSM8 Dualdyne Cartridge utilizes a reversed side entry airflow system. While this is by no means a scientific comparison, you can get a crude glimpse at frequency response differences between the SM58 and KSM8 here, with a simple 'AH' sung at a fundamental around 400Hz. Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! Giving just enough brightnessto put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. As a condenser designed for gigging and live use, the KSM9 is perfect for anyone looking to bring a high quality studio sound to the stage. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. The standard voltage for phantom power is 48 V DC. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. The Neumann KMS 105 is a condenser microphone that has been designed for studio use. The KSM9HS is a new premium stage vocal microphone, based on the design and success of the KSM9. This pattern is fairly forgiving of mic position and technique, whilst capturing detail. As a condenser mic, the Shure KSM9 requires phantom power. The KSM8 Dualdyne is designed to excel as a vocal microphone while withstanding the punishment of professional live sound reinforcement, but can be used to capture other sources as well. Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. With this taken care of, theres many advantages to using a condenser mic. I prefer the KSM9 over the Beta87C. Shure KSM9. Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. It is intended for vocal use. Leveraging trend, user research, and other data, we turn ambiguity into clarity, define organizing principles, and chart trajectories for product offerings, brands, and businesses. This website is using a security service to protect itself from online attacks. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. Obviously, handheld dynamic mics are nothing new, and neither are microphones with dual diaphragms: every switchable-pattern capacitor mic has used that particular technology since the mid-1930s! ksm9 hs surprising on no feedback. More about the KSM8 here. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? Shure are one of the industry leaders in vocal microphones. Great write up. Its a departure from their simply constructed dynamic live mics. The KSM8 retails for a couple of hundred dollars cheaper than its condenser counterpart, and is aimed at a slightly different consumer bracket. We develop services as multi-channel brand experiences that empower people in meaningful ways and deliver value for both the user and company. Most studio condenser mics are far more sensitive than dynamic mics, which can cause problems in live performance. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, Die-cast Aluminum with Paint or Brushed Nickel Finish, Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9, Black Foam Windscreen for KSM8, SM85, SM86, SM87A, Beta 87A, and Beta 87C, Black Replacement Grille for KSM8 Wired and Wireless, Brushed Nickel Replacement Grille for KSM8 Wired and Wireless. The BLX88 is the two-channel version of the BLX4. This mic offers dynamic lows, balanced mids and sparkling highs. Consider helping Sound Forums keep the lights on. Live sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand). . Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. However the KSM9 is noticeably cleaner and brighter. Balancing bullet-proof reliability, technical sophistication and dynamic stage ready appearance. More videos like Shure KSM8 vs. KSM9 | What's the Difference? Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. Geeksper.com is the blog site where you can get well-researched microphone reviews, microphone buying guides, and everything related to microphones. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Both mics share some internal design features too: they both have the dual diaphragm design, which delivers a nice smooth frequency response. Very well-defined cardioid polar pattern with minimal off-axis coloration and a deep rear null. https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. Exclusive deals, delivered straight to your inbox. Another big difference between the two mics is that the KSM8 has no switchable polar pattern its simply a cardioid mic. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. . Reimagining beauty tools to make easy, confident makeup application possible for everyone, Creating nutritional intelligence to enable better food buying decisions, Helping to make the worlds best doctors accessible everywhere, Enabling cyclists to react to performance data in real-time and with minimal distraction, Improving operational efficiency in instrumentation, Developing sound-isolating earphones that musicians demand and consumers love, Delivering an extraordinary guest experience, Tower Point, With solid internal engineering, it handles noise and feedback well. If the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement. 2:33 Shure KSM9 Only Brand New. However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. Taking its inspiration from Shures classic Unidyne III capsule (thats the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver a more consistent polar pattern. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. This pneumatic shockmount employs tuned and damped cavities which are effectively pressurised by the sound waves which pass through the rear of the capsule and are then guided down into the shockmount itself. 0:00 Intro Building on a technology that Shure first introduced in 1966 with the Unidyne III capsules used in SM57s and SM58s, the KSM8s pneumatic shockmount sits below the Dualdyne capsule to decouple it from the microphone body, thereby minimising low-frequency handling noise. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. DUAL DIAPHRAGM TECH. The Shure KSM9 is also a great microphone, also it may be less expensive than the Neumann KMS105. Given the sensitivities of condenser mics, why would anyone risk using one on stage? If your audio interface or mixer doesnt provide phantom power, there is a solution: You can connect your mic to an external 48 volt phantom supply. Ultimately the Shure KSM9 and Sennheiser E965 are two very similar microphones. Developments in powerful, rare-earth magnetic materials have helped a lot here, and the KSM8 uses a Neodymium magnet in a micro-injection mould of aerospace SoftMag material (whatever that is!) Giving just enough brightness to put you in line or slightly ahead of the instruments, I find it working . A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. Shure KSM9/CG Dual-Pattern Condenser Handheld Vocal Microphone. Overall, the KSM8 is excellent for vocals but not quite the allrounder that the SM-series mics are. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. Shure Product Manager, John Born, was one of the small development team that worked on the KSM8 project. Find An Answer Browse our vast Answer database for answers to many common technical questions. Single vs. Dual-diaphragm frequency response. Theres nothing quite like knowing your audience are listening to a high quality sound. The unique feature of KSM9 is a switchable pattern (cardioid vs. supercardioid), which gives greaterflexibility for any situation or environment. The Neumann kms 105, on the other hand, is a more affordable option that still provides great sound quality. Comparison of Shure KSM9 and Shure SM58 based on specifications, reviews and ratings. You can email the site owner to let them know you were blocked. Just make sure to point it where you want to and it will do the rest. This will add more bass to the sound, due to the proximity effect. This makes it ideal for recording vocals or instruments in a studio setting. I'm somewhat unfamiliar with the Sennheiser line of microphones. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. XLR Male to Male, CableCreation [5-Pack] XLR 3 Pin Male to 3 Pin Male Microphone Line Adapter. For comparison the SM58 only reaches 15kHz. Developing the Source Code" that connects business strategy and customer insights to brand essence and product experience. SHURE KSM9/CGShure118800! The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. It is also a great option for those who are looking for a microphone that is durable and easy to use. Keep in mind, Heil mic is more sensitive, which is both a pro and a con. You may login with either your assigned username or your e-mail address. The KSM8 provides greater immunity to these problems, due to linear polar response across the entire frequency spectrum. $12.39 ($2.48/Count) XLR Cable 6 FT/4 Pack, Microphone Cable 3 Pin Nylong Braided Balanced XLR Male to XLR Female Heavy Duty Mic Patch Cords. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? They must maintain this distance in order to avoid variations in tone. ; chanel BLX4 and BLX88 systems are throw-it-in-your-backpack wireless mic systems with portable receivers, great for getting around quickly. All you need to know about wireless microphones. For noisier setups, the tighter supercardioid pattern does a good job of rejecting off-axis noise, which reduces feedback and stage bleed. Turn your old gear into new gear with the Sweetwater Gear Exchange! The last mic in our guide is the absolute gold-standard option when it comes to world-class live vocal capture - the KSM9. There were four models in AKGs dual-capsule range, starting with the D200. Traditional microphones confine the performer to a specific distance from the microphone. https://imp.i114863.net/b3emR60:00 - Intro1:12 - Shure KSM8 Only1:41 - Shure KSM9 Only2:11 - Shure KSM8 Only2:33 - Shure KSM9 Only2:46 - Shure KSM8 Only3:06 - Shure KSM9 Only3:26 - What We Heard5:52 - Thanks for Watching! Bauers clever Uniphase design omitted the rear diaphragm, but led directly to the iconic Unidyne Model 55 microphone, released in 1939: the worlds first single-capsule cardioid dynamic mic. The KSM8 Dualdyne features a patented cartridge design with two ultra-thin diaphragms and groundbreaking reverse airflow technology. This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. The Neumann KMS 105 microphone is the choice for professionals who demand excellence in their recordings. Jan 28, 2013. The sound engineer will normally mute the mic from the mixing desk when needed. A dynamic microphone process sound waves mechanically whereas a condenser microphone does so electronically. We are excited to continue our mission and build the next dynamic design and innovation team that can envision, shape and create new growth platforms for the ambitious. In simple terms, the direct result of that frequency-dependent behaviour is an almost complete removal of the mics proximity effect, as well as a better-controlled polar pattern, giving improved off-axis rejection and reduced off-axis coloration, too. How careful do you have to be in handling? Save my name, email, and website in this browser for the next time I comment. This is like having two mics in one, and is a real bonus. The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. Additionally, the KSM9 has a built-in shock mount that helps to reduce noise from vibration, making it ideal for use with high-end instruments. At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within.
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